Where did Aaron Copland find inspiration for much of his music?
After some initial studies with composer Rubin Goldmark, Copland traveled to Paris, where he first studied with Isidor Philipp and Paul Vidal, then with noted pedagogue Nadia Boulanger. He studied three years with Boulanger, whose eclectic approach to music inspired his own broad taste.
Where did Aaron Copland teach 25 summers?
Championed early in his career by Serge Koussevitzky at the Boston Symphony, Copland repaid that endorsement when Koussevitzky asked him to help start a summer school at the Berkshire Music Festival. Soon, Copland was chairman of the faculty at Tanglewood, a position he held for nearly 25 years.
What music did Copland use in many of his compositions?
Aaron Copland was one of the most respected American classical composers of the twentieth century. By incorporating popular forms of American music such as jazz and folk into his compositions, he created pieces both exceptional and innovative.
What kind of music did Aaron Copland compose?
Aaron Copland was a prominent American composer during the 20th century that was known for such popular pieces as ‘Hoedown’ and ‘Appalachian Spring.’ Learn more about his career, musical influences, and musical style in this lesson. Aaron Copland was an American composer known for his ability to musically portray the American midwest.
Where was Aaron Copland born and where did he study?
Aaron Copland was born on November 14, 1900, in Brooklyn, New York, going on to study piano and composition and studying in Europe for some time.
When did Aaron Copland write his first ballet?
It was premiered in 1937 by the Mexico Symphony Orchestra with Chávez conducting and was the first of his signature works that used folk music in a classical composition. His 1942 ballet, Rodeo, used square dance rhythms and American folk songs to create a setting in the American Southwest.
What did John Copland do for a living?
Along with his friend Roger Sessions, he began the Copland-Sessions concerts, dedicated to presenting the works of young composers. It was around this same time that his plans for an American music festival (similar to ones in Europe) materialized as the Yaddo Festival of American Music (1932).