What happened to Cly in a tale of two cities?
Roger Cly: Former servant of Charles Darnay. He testified against Darnay in England and later faked his own death to avoid persecution in his home country before fleeing to France to work as a spy for England.
Who is Robert Cly?
Roger Cly A police spy in England who faked his own funeral. He appears later as a prison spy in revolutionary France.
How is fate shown in a tale of two cities?
The theme of fate is represented by the echoing footsteps, the storm, and the water with the idea that one cannot stop their fate from proceeding. Dickens uses many symbols throughout A Tale of Two Cities that aid in the promotion of the theme of fate.
What does Madame Defarge’s knitting represent?
Madame Defarge’s Knitting But on a metaphoric level, the knitting constitutes a symbol in itself, representing the stealthy, cold-blooded vengefulness of the revolutionaries. Madame Defarge’s knitting thus becomes a symbol of her victims’ fate—death at the hands of a wrathful peasantry.
Who is Roger Cly in A Tale of Two Cities?
Like John Barsad, Roger Cly is a British spy who swears that patriotism alone inspires all of his actions. Cly feigns honesty but in fact constantly participates in conniving schemes.
How are fates shaped in A Tale of Two Cities?
In particular, the novel explores how the fates of individuals are shaped by their personal histories and the broader forces of political history. For instance, both Charles and Dr. Manette try to shape and change history.
How is history broken in A Tale of Two Cities?
Through these failures of characters to change the flow of history or to escape their own pasts, A Tale of Two Cities suggests that the force of history can be broken not by earthly appeals to justice or political influence, but only through Christian self-sacrifice, such as Carton’s self-sacrifice that saves Charles at the end of the novel.
What happens in Chapter 14 of A Tale of Two Cities?
“Dickens tends throughout to make important episodes into set-pieces that are more visual than strictly dramatic.” Chapter 14 opens with such a tableau—that of Cly’s funeral scene. In the scene’s emphasis on bizarre and freakish imagery, we see a clear example of Dickens’s characteristic sense of the grotesque.