Is the ending of A Raisin in the Sun happy or sad?
A Raisin In The Sun Ending At the end of the play A Raisin in the Sun, by Lorraine Hansberry, the family is getting ready to move into their new home. Although the family just lost all of their money, this is a happy ending to the story.
Does the play A Raisin in the Sun have a happy ending?
In some ways, the play ends happily for the Younger family. Walter, who has considered accepting a bribe from a white homeowners’ association in exchange for not moving to a new neighborhood, decides to forgo the payment. The family prepares to move to their new, white neighborhood.
What was the ending of raisin in the sun?
A Raisin in the Sun ends with the Younger family leaving their longtime apartment in Chicago’s South Side neighborhood in order to move into a house they’ve purchased in the otherwise all-white neighborhood of Clybourne Park.
What is the ending of raisin in the sun?
Is the play A Raisin in the Sun a happy ending?
Ultimately, it is uncertain whether the play A Raisin in the Sun has a “happy ending,” as the Younger family’s fate is uncertain. They will likely face discrimination and hardship in Clybourne Park, but they are also closer to achieving their dreams by moving.
What was the context of A Raisin in the Sun?
A Raisin in the Sun. Context. Lorraine Hansberry was born in Chicago on May 19, 1930, the youngest of four children. Her parents were well-educated, successful black citizens who publicly fought discrimination against black people. When Hansberry was a child, she and her family lived in a black neighborhood on Chicago’s South Side.
Why are there negative dreams in A Raisin in the Sun?
For the most part, however, the negative dreams come from placing emphasis on materialistic goals rather than on familial pride and happiness. Hansberry seems to argue that as long as people attempt to do their best for their families, they can lift each other up.
Who are the black characters in A Raisin in the Sun?
Hansberry creates in the Younger family one of the first honest depictions of a Black family on an American stage, in an age when predominantly Black audiences simply did not exist. Before this play, African-American roles, usually small and comedic, largely employed ethnic stereotypes.