How much money did spring breakers gross at the box office?
31.7 million USD
Spring Breakers/Box office
What is the point of the movie Spring Breakers?
Gomez, Hudgens, Benson, and Korine portray four college-aged girls on their spring break in Florida where they meet an eccentric local drug dealer (Franco) who helps them in a time of desperation, and their eventual descent into a world of drugs, crime, and violence.
How old is Faith in Spring Breakers?
According to Alien, she looks about fifteen.
What ushered in modern spring break?
3) What movie ushered in the modern spring break? In 1960, MGM released Where The Boys Are, a blockbuster romantic comedy that followed four female students during their spring vacation. The film spread the tale of college students voyaging to the halcyon shores of Florida to find fun, sun, and maybe even true love.
What year did spring breakers come out?
April 5, 2013 (Poland)
Spring Breakers/Release date
What was the box office gross for Spring Breakers?
Box office. Spring Breakers grossed $14,124,284 in North America and $17,600,000 in other countries for a worldwide total of $31,724,284. In North America, the film opened to #6 in its first weekend with $4,858,944, behind The Croods, Admission, The Call, Oz the Great and Powerful, and Olympus Has Fallen.
What are the financial details of Spring Breakers?
Further financial details… Four sexy college girls plan to fund their spring break getaway by burglarizing a fast food shack. But that’s only the beginning… During a night of partying, the girls hit a roadblock when they are arrested on drug charges.
What are the reviews for the movie Spring Breakers?
On review aggregator Rotten Tomatoes, the film holds an approval rating of 66% based on 188 reviews, with an average rating of 6.26/10. The website’s critical consensus reads, “Spring Breakers blends stinging social commentary with bikini cheesecake and a bravura James Franco performance.”.
What was the original idea for Spring Breakers?
Korine had devised the concept for Spring Breakers over several years prior to production, with fleeting ideas about the plot and what should transpire. His initial desire was to create a ” sensory film” that was more about feeling than action and placed little importance on narrative or plot, the idea for which came later.